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Reaper. The DAW everyone (and no one) is talking about.

A while ago, Justin did some articles on Pro Tools vs. Studio One. Recently we were introduced to the incredible DAW Reaper. I can’t speak for everyone but for me, it’s the DAW of choice for me going forward. It takes a little effort to learn it but we’ll get into that! What I want to do is speak on my experience with it and a few of my favorite features that I’ve discovered.


First…Some Resources!

If you want to learn in depth about Reaper I recommend going to the Reaper Site and The Reaper Blog for VERY in depth information. Now. Let’s get into it!


My Favorite Things

So, first of all Reaper is an EXTREMELY light program. From what I’ve seen it’s roughly 65MB. You can create a portable install on a FLASH DRIVE! And it will hum along with ease. This is excellent if you have a not-so-powerful computer or want to run Reaper away from your own setup. You can export your configurations and key shortcuts to import on the flash drive as well (More on that in a second). I have to say, Reaper is probably the most tightly coded DAW I’ve ever used. And what’s more, the developers are EXTREMELY responsive and provide updates regularly. Let’s get to my actual list though.


1) Price!!!!!

If there’s one thing engineers, producers, and musicians can agree one it’s that saving money while maintaining a quality product is paramount. Reaper utterly DESTROYS every other DAW that I’m aware of in that capacity. Reaper is FREE for 60 days and then after that the license is $60. SIXTY. DOLLARS. Even if you don’t like it you should still buy it just for when you DO like it. This is a DAW that is so flexible, that editing, recording and mixing can be a SNAP.


2) Stability

Reaper, while being the cheapest DAW, is also the MOST stable. As mentioned above, Reaper is extremely lightweight and light on CPU as a result. That said, recording and editing is a snap because it does not tax your CPU or throw you annoying error codes like OTHER DAW’s. You can add plugins while recording, edit an entire other SONG while recording too. Reaper doesn’t even flinch. It just runs so smooth and I have no idea how they do it.


3) Rendering

Perhaps my most favorite feature (because it saves me the most time), is the Render Queue. Imagine this. You finish a mix and the producers wants your mix, vocal up, vocal down, instrumental, stems etc. Well, all you gotta do is add them to the Render Queue! Basically, what Reaper does is take a snapshot of the current session (Exact settings and all) and will print it according to those settings. It will close and open the same sessions as you make changes to print. The great thing is you can do these prints and walk away and come back later and all your prints will be done. I often find myself doing this with Masters. Instrumental, CD WAV, Full Quality WAV, MP3, Performance etc. I can go eat dinner or do something else productive while that’s happening. Absolutely love it.


4) Customize EVERYTHING

So, this is the most powerful thing about Reaper. You can customize pretty much ANYTHING (Almost to a fault). This can get complicated for many users who just want to use a program and keep it moving. You can customize toolbars, individual track faders (height, color, information displays etc), even menus! It is insane how much you can customize this program to fit like a glove. What’s more, you can create custom shortcuts and actions (Macros) to perform common functions. I will say this- get a gaming mouse and watch things be AMAZING. Editing functions and such at the stroke of a key are awesome. Personally, stringing together multiple macros to lessen my key presses saves TONS of time. Also you can get custom themes from savvy users on the internet! Customize it how you like it. I won’t even go into scripts and code you can write to do cool things. I recognize I’m barely scratching the surface but to see just how powerful customization is, I strongly urge you to check out the links above.


SUMMARY!

Reaper is an amazing DAW that many people know about but are either afraid to try or think it is inferior. FALSE!!! I challenge you to take a chance and try to wrap your head around this DAW. The possibilities are endless. I have barely done this amazing piece of software justice but I hope this will at least pique your interest in exploring a very affordable and extremely powerful DAW. I realize some readers will say, “Oh this DAW can do this and this other DAW can do that. While that may be true for a few of them, I would bet that none can provide the value, flexibility, speed and raw power that Reaper can bring. I for one won’t be changing anytime soon! Enjoy and keep making music y’all!!

Sum That Ish!

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Summing boxes

Analog summing boxes are simple. They take many inputs and sum them into a mono or stereo output. The thing that’s cool about them is that this is summing on the voltage level. That’s what make it analog of course. The audio inputs are different voltages being combined to a summing bus. This summing bus will then be connected to the outputs. It is not more complicated than anything else in audio. Summing boxes can change the perception of your sound. Within summing boxes you could have different circuits that your audio signals goes through first before it hits the outputs. Hear me my fellow audio people! Let’s talk about this.

What is in a Passive Summing box

-Resistors (to Increase voltage drops, impedance matching)

-Capacitors ( stop Direct current(DC) from messing with your signal, coupling to ground)

-Transformers (Step up signals or step down signals)

-Diodes (rejects signals from harming your circuit)

 

Why does all of this matter, who really cares about this?

Ultimately there is a different between digital summing and analog summing. The concept is the same however, it’s just the processing is different. As mentioned before analog has voltages being manipulated. In fact the more components your signal runs through the more characteristics its has on the output side. You have voltages being manipulated and ultimately phasing being changed, especially if you have transformers or reactive circuits in you summing.

Now digital summing does not hold the same effects. Within your daw whether it be Pro Tools, Cubase, Studio One or any other you have to realize that it’s a computer program that calculates. When you put music in your daw it is a series of 1s and 0s that are governed by sample rates and clock timers. This Daw that we all use in the digital age is absolutely perfect. It makes it very easy to mix and record sessions right at home. With out the need of having too much outboard gear. However I do not see these daws emulating the true nature of summing and what it does to your mix.

What do you actually hear Sir Justin, what do you mean by changing my perception?

Welp. When you listen to our celebrities and the music they release. You love the sound, you can hear each instrument each vocal well balanced. We call it a 3D audio image here at OutBox Sound. This image is not just attained by using a Daw but these high end engineers mix through out board gear to help get that 3D imagery. The stereo width is also much wider and give you the sense of immersion. When you just mix in the Box (only in your Daw), it’s is a struggle to get perfect isolation. For example mixing lead vocals. You really want to keep that vocal at a good level over the instrumental. I have found that it is 10 time more difficult to do this in the box, cause you need more processing like ducking and compression. Mixing in the box has a very narrow sound, it also feels like the music is being strangled. It does not give the sense of depth or freedom.

Once again through some analog gear in the mix like a summing box and you can perceive that isolation and depth a lot better.

 

How can I use this summing idea ?

 

Ok I’m not telling you to go buy equipment that is thousands of dollars. In the link below is a DIY summing box that is only resistor based. Try that out. If you want more fun check out the other tools we at outbox sound use.

 

Cheap and fun DIY Summing Box $50

https://www.diyrecordingequipment.com/products/sb2-16x2-passive-summing-mixer

D-Box by Dangerous

https://www.sweetwater.com/store/detail/DBox

 

If you have the interface to handle summing I suggest trying it out for a couple of songs and just see what can happen. Your ear is the thing that you must trust not my words.

Also you can listen to our mixing examples on our audio page.

 

Thanks for reading

Justin Hunter of Outbox Sound

Fabfilter MB Vs. Waves C6

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Waves C6 vs Fabfilter Multiband Compressor Who Wins ?

 

If you are like me you are always looking to slap a multiband compressor (MB) on everything. Why? Because I can. Also to alter the sound to get exactly what I want. Let’s talk about some findings between Waves C6 MB plugin and Fabfilter MB from Fabfilter. These two plugins can make or break you, but you have to live on the edge of mixing to see what’s right for your style.

 

 

Waves C6 Multi-band features

  • Internal/external sidechain per band
  • Individual band Listen mode
  • Four crossover bands plus two floating bands
  • Dynamic EQ, compression and expansion
  • Double precision bit resolution processing

 

 

Fabfilter Multi-band  features

 

  • Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid- or side-only processing, external side chain input, triggering on a separate frequency range
  • Handles any form of dynamics processing, from highly transparent compression, limiting and expansion to pumping upward compression and punchy gating
  • Up to six processing bands, freely placed anywhere in the spectrum
  • Bands can be easily snapped together to form a traditional crossover system

 

 

User interface

Now... Waves has been around for a while, however when it comes on to user experience I have to give it to Fabfilter, their methods of control knobs makes the experience feel real and the real-time frequency analyzer helps when you are unsure about things. The wonderful thing is that it is quick and easy to conceptualize. Waves on the other hand, you have to really use this tool for a while for it to be quick. I find the plugin to be very cluttered and confusing at times.

 

Specific features:

Fabfilters dynamic EQ shapes can really get you the sound you want or something totally different. This is something that you could spend a lot of time on or just stick with the traditional crossover patterns. The thing that really helps Fabfilter MB is the side-chaining capabilities. Not only can you do external side chains but you can also do internal frequency side chain, where it allows you to pick a range of frequencies that triggers one of the 6 bands of compression or expansion. Mind you all six bands can have there own frequency side chain. Waves also has side chaining however it is just external, the flexibility of Fabfilter is just too good.

 

Price:

Fabfilter MB is $199 and Waves C6 is $299. So the choice is up to you.

 

 

Sum up:

Who wins in this battle ? Fabfilter MB wins for me.  However you really need to look at these plugins as tools. I use waves C6 on my lead vocals for an excited sound (waves plugins has a color to them so beware), and I use Fabfilter MB on instruments tracks to get a well rounded, realistic/transparent and finished sound. When it comes on to burden on your computer, you can have quite a few instances of Fabfilter MB and Waves C6 is much more burdensome on system usage. Now as engineers you really really should not just take my word for it. Check out the links below and download a demo for both.

 

Waves:

https://www.waves.com/plugins/c6-multiband-compressor#reviews

 

Fabfilter:

https://www.fabfilter.com/products/pro-mb-multiband-compressor-plug-in

 

Brought to you by Justin Hunter from OutboxSound

 

Outbox Sound Let’s Think Together !

 

PS: this blog was written for individuals mixing in the box. Not individuals using Waves Rack or other live performance plugin systems for live mixing.

We Love this Audio Thing

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When you listen to a song what do you listen for? Do you listen with just your ears or do you let your entire body indulge the vibrations from the speakers next to you? if you listen for creativity with your entire body-- where you feel a song instead of just listening, you are just like us. We are Outbox Sound, Justin and Steven. The two engineers that will be guiding you on a journey to bringing more depth to the music and different sounds that we touch. We are devoted to using every possible means to get great music to a place where people don't just listen, but they feel it. Feel the depth and Low end, get blown away by the stereo width and the crisp center of a track. We don't just engineer music we believe in it. Yes we do work with artist, but we are artist ourselves using the musical/technical  pieces and placing them together in a way that will stop someone in their tracks. We are Outbox Sound, check us out, contact us and lets think together.

 

Outbox Sound